Sim Chi Yin ’s performance lecture, Methods of Memory – Time Travels in the Archives

Recounts the personal history behind One Day We ’ll Understand. Asia Art Archive ’s documentation of Methods of Memory

Methods of Memory

Was developed into an hour-long theatre performance at the Esplanade, Singapore, in August 2024. Performance trailer

Documentation of Requiem

as exhibited at 60th Venice Biennale, 2024

Sim;s artist website

Sim’s artist website details other recent chapters that accompany One Day We’ll Understand, such as The Suitcase Is A Little Bit Rotten and The Mountain That Hid. These depart from the more documentary and evidential focus of earlier chapters to take a speculative leap

One Day We’ll Understand

Sim’s art practice-based doctoral thesis discussing One Day We’ll Understand, completed in December 2024 at King’s College London

She Never Rode That Trishaw Again:

Sim’s self-published artist book

Sim’s essay, “Time-travels with a (Rotten) Suitcase,”

published by Haus der Kulturen der Welt (House of World Cultures), Berlin:

Curator Sam I-shan discusses Remnants and Interventions in “The Past Recollected: One Day We’ll Understand,”

Inter-Asia Cultural Studies 24, no. 4 (2023): 723–35:

Sim’s essay, “Time-travels with a (Rotten) Suitcase,”

published by Haus der Kulturen der Welt (House of World Cultures), Berlin:

See also Moser’s essay: “Mis-Registrations: Sim Chi Yin’s Photographic Transpositions,”

Camera Austria International, no. 165, 2024, 21–32.

Curator Cora Fisher writes about The Mountain That Hid and The Suitcase Is a Little Bit Rotten in essay “The Generational Camera,”

in No Necessary Correspondence: Whitney Museum of American Art Independent Study Program, 2022–2023, Studio Exhibition (New York: Whitney Museum of American Art, 2023), 72–7.